今天我看了《我和我的祖国》的点映。等待电影开场时，我看到有穿着旗袍、隆重地来看电影的阿姨团;有祖孙三代一起来观影的一大家人;有组团来看的“宅男”们……入场后，我发现420个座位的全声巨幕厅竟然座无虚席，连第一排和最角落的地方都坐满了人。电影放映时，座无虚席的大厅里竟然没有太多的讨论声，甚至影片中每每在有国旗出现的时候，全场爆米花的咀嚼声似乎都小了些。影片结束后，观众竟然没有像往常一样马上离场，全场都安静地坐着，听完片尾曲《我和我的祖国》。
Today, I watched the screening of "I and my motherland". Waiting for the opening of the movie, I saw a group of aunts in cheongsam who came to see the movie ceremoniously; a big family with three generations of grandparents and grandchildren who came to see the movie together; and "otaku men" who came to see the movie in groups After entering the hall, I found that the 420 seat acoustical screen hall was full of seats, even the first row and the most corner were full of people. When the movie was shown, there was not much discussion in the hall full of seats. Even when there was a national flag in the movie, the chewing sound of popcorn seemed to be less. At the end of the film, the audience did not leave as usual. The whole audience sat quietly and listened to the final song "my country and I".
《我和我的祖国》似乎已经不是一部简简单单的电影了。所以从情怀上来看，这部电影必须是满分。我们所经历的似乎已经成为历史，但不是个人的历史，而是国家的历史。这部电影虽然名为献礼片，但是打破了常规献礼片气势恢宏的大格局，而是以大时代背景下的小人物的视角，展现了我们亲历的那一段段历史。从电影制作手法上看，这部电影也是当之无愧的满分。七位中国导演，他们都有各自独特的风格，却都用优美的镜头婉婉诉说着一个个普通民众跳跃于祖国时代脉搏上的故事。
"My country and I" seems to be no longer a simple movie. So from the emotional point of view, this movie must be full marks. What we have experienced seems to have become history, but not individual history, but national history. Although the film is called the gift giving film, it breaks the grand pattern of the conventional gift giving film. It shows the period of history we experienced personally from the perspective of small people in the background of the big era. From the perspective of film production techniques, this film is also worthy of full marks. Seven Chinese directors have their own unique styles, but they all use beautiful scenes to tell stories of ordinary people jumping on the pulse of the motherland.
《我和我的祖国》全片分为七个单元——《前夜》《相遇》《夺冠》《回归》《北京你好》《白昼流星》《护航》。
"My motherland and I" is divided into seven units - "the night before", "meet", "win", "return", "hello to Beijing", "day shooting star", "escort".
《前夜》由管虎执导。讲述了在开国大典前夜，为了确保电动升旗装置能万无一失，军方、工程师、各方民众众志成城共同努力的故事。管虎导演特别擅长于掌控故事的节奏。所以即使这样一个大家都知道结局的故事，导演仍然牵动了观众的心。
The night before yesterday is directed by Guan Hu. On the eve of the founding of the people's Republic of China, in order to ensure that the electric flag raising device can be foolproof, the military, engineers and people from all walks of life worked together. Director Guan Hu is very good at controlling the rhythm of the story. So even if such a story that everyone knows the ending, the director still affects the hearts of the audience.
《相遇》由张一白执导。张一白导演对于细节的刻画非常到位。高远的女友跟他在公交车上缓缓诉说过往时，背景中有八十年代常见的红白公交车驶过，骑着二八自行车追逐的年轻人……这些细节使这个悲伤的相遇故事愈加的生动。
Meet is directed by Zhang Yibai. Director Zhang Yibai's depiction of details is in place. Gao Yuan's girlfriend slowly tells him about the past on the bus. In the background, there are the young people who drove by the red and white buses in the 1980s and chased them on the 28's bicycles These details make the sad meeting more vivid.
《夺冠》由徐峥指导。《夺冠》让观众褪去了前两个单元中的严肃与伤感，一下子带来了轻松的气氛。徐峥导演非常擅长于把握观众的情绪。这个故事让观众都笑中带泪。
"Winning the championship" is directed by Xu Zheng. "Winning the championship" let the audience get rid of the seriousness and sadness in the first two units, and brought a relaxed atmosphere. Director Xu Zheng is very good at grasping the emotions of the audience. The story made the audience laugh with tears.
《回归》由薛晓璐指导。在轻松欢快的《夺冠》后，《回归》让节奏慢了一点，让气氛变得庄严了一些。在两个欢快又感人的两个故事中间，《回归》舒缓了气氛，调整了全片的节奏。饰演护旗手的朱一龙一句调笑的山西方言的台词“报告，我俩也单着呢”，说完后他爽朗的一笑，仿佛把观众都带到了当时香港即将回归的喜悦的氛围中。《东方之珠》响起的那一刻，导演从旗手、外交官、香港警察、普通民众几个不同的视角还原了香港回归的伟大时刻。
Return is directed by Xue Xiaolu. After the easy and happy "winning the championship", return "slows down the pace a bit and makes the atmosphere solemn. In the middle of two happy and moving stories, return eases the atmosphere and adjusts the rhythm of the whole film. Zhu Yilong, who plays the flag guard, joked about Shanxi dialect's line "report, we are alone". After that, he gave a hearty smile, which seemed to bring the audience to the joyful atmosphere of Hong Kong's coming back at that time. At the moment when the Pearl of the east rings, the director restores the great moment of Hong Kong's return from the perspectives of flagman, diplomat, Hong Kong Police and ordinary people.
《北京你好》由宁浩执导。这个单元延续了宁浩导演高超的喜剧风格。同时又有国宝级的喜剧演员葛优演绎。所以这个单元幽默轻松，后来又缀入了汶川地震作为故事的转折点，整个故事都得到了升华。
Hello Beijing is directed by Ning Hao. This unit continues the excellent comedy style of Ning Hao. At the same time, ge you, a national treasure comedian, performs. So this unit is humorous and relaxed. Later, it was added to Wenchuan earthquake as the turning point of the story, and the whole story has been sublimated.
《白昼流星》由陈凯歌执导。陈凯歌无疑是中国最会用镜头讲故事的导演之一。《白昼流星》的故事并不复杂。但是陈导用高级的画面、朴实的台词、具有艺术感的镜头讲好了这个简单的故事。
"Shooting stars in the daytime" is directed by Chen Kaige. Chen Kaige is undoubtedly one of the directors who can tell stories by camera. The story of meteor in the day is not complicated. But Chen told the simple story with advanced pictures, simple lines and artistic scenes.
《护航》由文牧野执导。讲述了2015年胜利日大阅兵，驾驶歼十战机女飞行员吕潇然的故事。这个故事反映出了，每一个历史大事件的大潮背后，都有无数个小人物组成的小浪花支撑!
Escort is directed by wenmuye. It tells the story of Lu Xiaoran, a female pilot of the J-10 fighter plane, during the Victory Day parade in 2015. This story reflects that behind the spring tide of every historical event, there are countless small characters composed of small spray support!
这七个风格各异的故事，由各自开篇时的手写串联在一起。这些故事各不相同，风格迥异，却如同散落在历史长河中的明珠，被这些优秀的电影人再度呈现到我们的祖国和人民的面前。
These seven stories of different styles are connected by handwriting at the beginning of each story. These stories are different in style, but like the Pearl scattered in the long history, they are presented to our motherland and people again by these excellent filmmakers.